Seeing a show at the Echoplex is not unlike watching a band in the basement of your friend’s house: the ceiling is low, lots of concrete makes for terrible sound and you spend most of your time looking at the back of someone else’s head. […]
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With fire in her belly, Lykke Li toured the bulk of her album with refined delivery and interpretation. Gone were the reverb-sauced vocals, and her backing trio of cute indie rock boys, tighter now than newly minted Velcro, provided choir-like vocals and an onslaught of pulsating, dance-insistent beats with minimal electronic manipulation. […] Listening to Shudder To Think is a lot like doing trigonometry – you know it all makes sense somehow, but damned if you can figure it out. Full of obtuse angles but wrought with plenty of accessible melodic avenues, their music is one of the more love-it-or-hate-it propositions to have ever wound up on a major label. […] Poor Leona Naess. Despite having paid her dues and then some, the spotlight has repeatedly failed to find her. […] |
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