Margot Blanche takes the renaissance of burlesque, cabaret and jazz that has crossed into the mainstream in a variety of ways (via acts like Dresden Dolls and Pale White Gentlemen to Christina Aguilera and Katy Perry) and spins it again into a fresh new voice that plays with Victrola-era vintage and contemporary post hip-hop […] […]
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Every so often something comes across my desk that not only causes me to pick my jaw off the floor, but reminds why I began this effort. I don’t know Quinn Deveaux, but something inside of me implicitly resonates with what he is doing. This is one of those rare artists that reminds us that […] […] Jonathan Meek & the Mutes’ sound bursts out of the cage with an immediate intensity; a slushy mixture of warbly, irregular melody that cuts through the mildewy self-consciousness of capital “I” Indie Rock like lemon juice on a 3rd degree burn, and then sounds like Nick Drake joined early Radiohead, reasserting that amidst all the […] […] |
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