Nate Currin’s recordings could be taken as a sort of thrift shop treasure trove – moving from cabaret inspired fare like “Vanity Fair,” to rough-around the edges but heart-warming acoustic folk like “Coast to Coast” that could headline any night at Hollywood’s Hotel Cafe, to slick and pop radio ready electro-rock hybrids like “Goodnight California.” This is an artist who follows his whims and executes each new musical experiment as if he owns its very blueprints. […]