I could almost boast that I saw the evolution of glitch in front of my very eyes. Despite my own history making ambient music influenced by FSOL, Can and Pete Namlook, I claim absolutely no contribution to this movement, but I can say I was there. I think it had something to do with people who had the tools, the pedigree and the fact that they were making jingles, and so had hundreds if not thousands of bits of audio that they reassembled into micro-edited music-concrete. But the difference here, that made it something beyond experimental noise for the “advanced music appreciationist” was that it SLAMMED. This stuff was groovy, sexy and could stand up by anything the Neptunes could throw at you. [...]