 King Richard: Richard Edwards of Margot and the Nuclear So & So’s photo by the author |
It was just a few years ago that Margot & the Nuclear So and So’s performed at Spaceland to a partially filled room with an even smaller attentive audience. Perhaps it was weariness from their dogged touring schedule, but though emphatically delivered, their set was a strained and awkward affair at best. After the show, dour and scruffy bandleader Richard Edwards was seen standing alone on a dark corner outside the club, looking more than a little lost. |
How times have changed.
After rolling up to the Echo in a converted school bus painted Death Black, the group found themselves playing to a devoted, packed room Saturday night. Though the business of music might be damned, the internet in its unbridled glory has allowed vital groups like Margot to develop and be discovered by an audience they deserve, even in a haven for the jaded like L.A.
The octet (an anchor of guitars, bass, drums and keyboards supplemented by a troika of multi-instrumentalists adding violin, lap steel guitar, trumpet, trombone, French horn, miscellaneous percussion and other weirdness) delivered on all expectations, running through the bulk of their full-length debut, The Dust of Retreat, as well as several vinyl-only sides, internet favorites and songs from their upcoming (and hard-earned) Epic Records offering.
Starting the set with a haunting and immediately essential affair we can only assume is called “Carnival,” Edwards and company won the crowd instantly. After Edwards apologized for doing so, they played through two additional unfamiliar but equally compelling numbers before launching into “Vampires in Blue Dresses” for what would be the first of several crowd sing-a-longs. Other highlights included the one-two punch of “Skeleton Key” and “Quiet as a Mouse” as well as a mini-acoustic set featuring just Edwards and keyboardist/merch-bait Emily Watkins, performing the Indianapolis-specific-yet-oddly universal “Broadripple is Burning,” among others. Whether in the midst of cacophony or intimacy, Edwards and Watkins demonstrated proof of the best boy/girl vocals this side of the Pixies and Broken Social Scene throughout the night.
When the band started to wander off stage, clearly leaving the crowd wanting more, Edwards stopped and wryly offered: “I’m not going to leave and then come back on stage. That would make me feel ridiculous,” before leading the charge into a finale wherein he managed to spontaneously smile in spite of himself, as if were possible that he might actually be having fun.
If there was previously any doubt, an overrun merch table and fans lingering after the show must have signaled to Edwards and company that from now on, they have a home in Los Angeles.
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Punisher: War Zone to be scored by Christopher Franke of Tangerine Dream
With the roaring success of Marvel Studios inaugural independent feature film “Iron Man,” there are a lot of eyes on what will happen with the company’s subsequent releases (both reboots) “The Hulk” and “Punisher: War Zone.”
One of the most interesting aspects of these films is that they demonstrate how the perspective on translating comic book heroes to film has grown up. Arguably refashioned by Chris Nolan’s “Batman Begins” that endeavored to remain much more faithful to the work of Frank Miller by pressing the human behind the mask rather than the superficial caricature, the new slate of films employs some of today’s top dramatic talents - from Christian Bale, the late Heath Ledger, Gary Oldman, Robert Downey Jr., Gwenyth Paltrow, Edward Norton and in the case of Punisher, goes one step further to put lesser known names in the title roles in exchange for their proven abilities as actors (Ray Stevenson will play the Punisher in a film that also features Dominic West and Colin Salmon.)
Hrm. Evocative, rich and dark lighting, relative unknown actors hired for their talent and appropriateness for their respective roles, an ambient electronic musical score - sounds like a film that came about some quarter century ago starring Harrison Ford, Edward James Olmos, Rutger Hauer and debutante Sean Young.
Franke has scored many projects prior to Punisher: War Zone; High School Confidential and over 150 episodes of reality TV show “Big Brother” among them so simply being associated with Tangerine Dream does not necessarily mean we can expect the next Vangelis masterpiece, however when coupled with the dark contemporary urban subject matter of the Punisher framework, odds are we may get close.
Punisher: War Zone is slated for release December 5th, 2008 from Lionsgate Films.
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